I am persuaded that the movement to demand that physicians corrupt themselves at the heart by assisting in the suicides of the superannuated is but a reaction of terror before a perceived inhumanity. We who have become the tools of our tools shudder at the last insult to our human nature, that we should be invaded by all the complicated paraphernalia of delay, to breathe our last in a dull white room, with the pitted panels of the drop-ceiling overhead (reckon up the chaos, O man, and count how many marks there are in one square), while the calls to the nurses come and go, and a television blares out the last few minutes of an inane comedy that was never once touched by youth or mirth or the milk of human kindness.
If I, old and dying, mean nothing at all, then let me mean nothing on my own terms. If I am to be swept out of consciousness, then let me ply the broom! But this is no argument. It is a cry of despair.
Such despair is inevitable, if we accept the notion that our humanity depends upon what we can do, rather than upon what we are. For the knees will creak, and the hands tremble, and the mind wander; and, whether for but a moment or for a year, we will be as helpless (though not as beautiful) as a newborn child, that most useless of creatures, who can do nothing but search for nourishment and love.
Then let us not try to fight unmeaning with unmeaning. Let us look again at the special beauty of being human, a beauty that is especially poignant in the child, the elderly, the unborn, and the dying.
One day the young poet William Wordsworth looked out upon the road and saw a figure from his childhood, a certain old man who trudged along the Cumberland roads, to beg from the villagers in their modest cottages. He stopped at a ledge at the bottom of a steep hill, placed there to help men remount their horses, and, taking his treasures from his bag,
He sat, and ate his food in solitude:
And ever, scattered from his palsied hand,
That, still attempting to prevent the waste,
Was baffled still, the crumbs in little showers
Fell on the ground; and the small mountain birds,
Not venturing yet to peck their destined meal,
Approached within the length of half his staff.
Such is the drama of the old man’s day. Wordsworth grants himself a gentle smile at the fellow, who doesn’t want to lose any of the bread he eats, but loses a little bit anyway, and who is so harmless that the small and timid birds manage to come within two feet of him, this mysterious creature, this man.
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