Spike Jones

and The City Slickers

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TWO MORE DAYS

Readers of Sometimes a Song know that I have a deep love of early and mid-20th Century music. And from the beginning, there’s been a good representation of silliness in American music. So choosing a silly song for this week presented me with a LOT of options. Indeed, there’s silly music the world over to choose from!

But for a number of reasons, I decided this week not to get all serious about the selection of our silly song. In fact, Tony and I would love to hear suggestions in the comments of silly songs to entertain all of us over the summer! Lay ‘em on us! In fact, because we devoted the week to silliness, we’ve already got some great suggestions for poetry, film, and music to entertain us over summer. If you haven’t already done so, check out the comments this week.

Those who have been with us from the beginning here will have read about and listened to a good number of novelty songs on these pages, pretty entertaining fare, such as those listed below.

"Move It on Over"

"Three Little Fishies"

"Oh! How I Hate to Get up in the Morning"

"It's De-Lovely"

Small Fry

For today, however, I’m going to give you a sample of the work of a Band Leader whose whole purpose (okay, at least during his peak of popularity) was simply to do songs in the silliest way possible. That would be the zany Spike Jones and His City Slickers. Spike was a talented drummer and formed bands from his teens onward. He began by playing in pit orchestras, then moved on to drumming for few big bands, and finally formed his own — and hilariously unique — band of musical buffoons whose schtick was to do comic versions of classic (and sometimes classical) songs. In fact, Spike and the City Slickers released collections of these recordings, with titles such as “Spike Jones Murders the Classics.” Their classical spoofs included pieces such as “The Nutcracker Suite,” “The Blue Danube,” “The William Tell Overture,” and too many to list here.

The silliness of Spike Jones’ band has to be seen and heard to be believed, and even then you come away not knowing “what happened.” It’s freewheeling and utterly nutty, and just plain fun. See what you think of the video below, from the band’s TV show in the 1950’s, in their “Tribute to Music History,” which features work of Tchaikovsky and what was then a very popular 19th century piece, “Melodie in F,” by Anton Rubenstein, a brilliant pianist and a contemporary of Franz Liszt. Everyone knew this piece by the name, “Welcome Sweet Springtime.” Enjoy a little silliness “on us” this weekend!

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