Preview of Poem of the Week (Audio)
Some works of art are magnificent beyond their flaws — I think that Meville’s Moby-Dick is like that, and it may be so of all works that stretch man’s powers to the utmost. “No one ever wished it longer,” said Dr. Johnson, about Milton’s Paradise Lost. But then you sometimes find a work which is perfect, flawless in its kind, and yet not little, either, but as sublime as the great epics. Such a poem is John Keats’ three-stanza ode, “To Autumn.”
It was one of the last things Keats ever wrote, as he was dying of consumption, what we call tuberculosis. He barely made it to the age of twenty-five. Yet that young man of immense intelligence and deep feeling had known very well that his life was going to be short, and in this poem we get his manly acceptance, not of the inevitability of death, but of the beauty of things that pass away, even in their last lingering among us. Spring is beautiful, but so is autumn. And it is not a sentimental splash of color that he gives us. The stanzas move from a summer-like bounty, nearby, in the middle of the day, to harvest-time, and beyond, with the fall of night, and the flying away of the swallows, and the sense that though life goes on, it does not go on for everything and everyone, and each of us will see that final sunset. All of this he shows us, without a trace of self-pity, without even a tear.
Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For summer has o'er-brimm'd their clammy cells. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drowsed with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cider-press, with patient look, Thou watchest the last oozings, hours by hours. Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too,-- While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The redbreast whistles from a garden-croft, And gathering swallows twitter in the skies.
Thank you for supporting Word & Song. Please share posts with family and friends to help us in our mission to share the good, the beautiful, and the true with as wide an audience as possible.
Word & Song by Anthony Esolen is a reader-supported publication. To receive new posts and support my work, please consider becoming a free or paid subscriber. Click below to learn more about what the various subscription tiers include.